There’s a hypnotising quality to Meth Math’s music that’s concurrently sensual and dark. Led by singer Ángel Ballesteros and backed by producers error.error (Efrén Coronado) and Bonsai Babies (To Robles), the Mexican trio have taken over the capital’s DIY scene in recent times with their twisted tackle reggaeton that looks like it’s been taken straight from the fiery basement of a satanic perreo party. 

Ballesteros, who runs cult fashion label Baby Angel, which counts Rihanna as a fan, oversees the group’s effortlessly edgy aesthetic. In live shows, she transforms herself into an alienoid fembot with multicoloured wigs fashioned to anime proportions, while Coronado and Robles lurk cooly behind the decks in latex fetish masks in a sinister twist that only adds to the group’s mystique. 

“There’s a particular aesthetic in Mexican soap operas that’s so beautiful to me – it’s a weird telenovela thing,” says Ballesteros. “There’s something very Televisa, very dreamy.” This is especially true for the group’s music videos, where lo-fi visuals twist and switch as candid scenes, whether that’s a quinceañera in “Catastral” or a late night drive in “Tambaleo”, are warped to surreal heights. The group’s sound is similarly dissociative: an unsettling mix of IDM, deconstructed club and swinging dembow rhythms, it flickers between moments of romantic pop and murky Latin club. Ballesteros describes it as “female cochino” – “it’s each refined and nasty,” she explains. 

Formed in 2016, the origins of Meth Math can, incidentally, be traced back to a Facebook post. Having dropped out of art school, Ballesteros found herself bored and alone in her hometown of Hermosillo, the capital of the state of Sonora in northwest Mexico (“I don’t really hang around with the people I grew up with. It’s Catholic they usually’re all having baby showers”). “I posted a Facebook status that read, ‘what should I do?’ and Efrén [Coronado] – who I met shooting a horror film – was like, ‘come over to my house and make music!’” 

The group released their second EP m♡rtal earlier this 12 months. With track names including “Beso con baba” (“Kiss with slime”) and “Muro De Los Lamentos” (“Wailing Wall”), it touches on themes of affection and loss. “There was plenty of obscure moments from the pandemic that we needed to digest, like coming to terms with mortality,” Ballesteros explains. “The contrast between being the lifetime of the party but in addition the decomposition of the body – it’s how these two worlds collide.” It’s a tension that reaches to the core of the group’s ethos: “We at all times say it’s one of the best and the worst, the yin and yang – or Meth Math.”