The Dazed Beauty Community is our ever-expanding encyclopaedia of creatives and emerging talent from the world over who’re redefining the best way we take into consideration beauty. From supermodels to digital artists to make-up prodigies transforming themselves of their bedrooms, these are the sweetness influencers of tomorrow who embody every thing Dazed Beauty is about. Discover them here.

Cyshimi’s first beauty memory is the unusually long little fingernail of their Chinese grandfather – a practice amongst Chinese men that harks back to the country’s dynastic days. “It’s funny to see where I’m now”, says Cyshimi. What seemed strange to them 20 years ago now echoes throughout their work: maximalist nail sculptures that stretch out from the fingers in unexpected forms.

Fingernails have a wealthy history of power and resistance, and for the 24-year-old interdisciplinary artist they’re an emblem of identity and empowerment – an expression of resistance against hegemonic beauty standards. Also they are each a canvas and carrier of their work exploring themes of ancestry, identity, beauty and the body.

“[Nails] can easily be connected to an idea of a subversive beauty, but greater than that, it’s connected with body and performance,” they are saying. “Nails expose how our body can expand, having them is like having a superbody… That’s why I name them as performative sculptures: sculptures which might be a part of an alive and expressive body, and so the nails perform with it.”

Growing up in São Paulo, Cyshimi was the primary of their Taiwanese Chinese family to be born in Brazil. The experience was often alienating and their art became a technique to work through their traumas. “Growing up as a non-white child it makes you notice you’re different from a really young age,” they are saying. “This really made me see fashion and wonder as a type of escape.” For Cyshimi, who’s non-binary, nails are also a technique to have fun the “plurality and variety” of bodies. “Where oftentimes it’s imagined that there’s one possible way of life, there are literally infinite others.”

This sense of joyful multifacetedness radiates from their work. Take ‘Training Wear’, which sees nail sculpture grow into a whole costume. Or ‘Treasure Knots’, which is a component collage, part nail art, part ceramics. After which there’s ‘Jungle Walker’, a biomorphic sculpture that transforms the hands of the wearer, before morphing from 3D work to 2D image, then into crypto-art via NFT. It’s work that exists across materials, IRL and online, within the memory of the past and the technology of tomorrow.

Below, we chat to Cyshimi about vanity, Chinese beauty heroes, and their predictions for the longer term.

How would you describe your job?

Cyshimi: I make nail sculptures that reinterpret narratives, remodel objects and create a world of their very own. A variety of the nails that I create are a results of a transdisciplinary path including sculpture, digital art, installation and performance. But beyond defying aesthetics, my work revolves around ancestry, identity, beauty and body. For me, nails are ‘Performative Sculptures’, they should not only a static object, but a sculpture that shapes the performativity of bodies.

Why do you do it?

Cyshimi: After I take into consideration nails, it may possibly easily be connected to an idea of a subversive beauty, but greater than that it’s connected with body and performance. Nails expose how our body can expand; having them is like having a superbody, it’s a powerful symbol of power. That’s why I call them performative sculptures; sculptures which might be a part of an alive and expressive body and so, the nails perform with it. I mould the acrylic endlessly to create a sculpture and it moulds me back, it hits and rebounds, making you alter your life with reference to things and other people around you. 

Additionally they represent a clash of norms, while questioning a hegemonic beauty standard and instigating everyone around them. A variety of my work seeks to disclose that historically, nails are a powerful symbol of resistance, empowerment and identity. They defy normative concepts of beauty and ways of life, generating a powerful sense of community and collectivity. Having them can be a way of celebrating plurality and variety of bodies, where oftentimes it’s imagined one possible way of life, when there are literally infinite others.

How did you get into it?

Cyshimi: I’ve at all times had a powerful relationship with vanity since I used to be a teen. Since that point, I began to grow my natural nails really, really long. I discovered it incredible how our body could grow something naturally so improbable and the way I felt with them – more powerful and unique. Then, throughout all of the crafts that I began to learn, working in the style and art industry, I jumped into nail sculpting, a passion that reunited many concepts and mediums I even have run into before.

What’s been your profession highlight up to now?

Cyshimi: Having my work exhibited within the Super Rare gallery in Recent York, my feature on Instagram and having my nails in a Comme des Garçons campaign.

Are you able to talk us through a few of your favourite looks and the way you created them?

Cyshimi: ‘Jungle Walker’ – I made this very inspired by natural textures and it’s one in every of my favourite color palettes. Then I took an image with a forest image on a TV screen behind the nails, which then become one in every of my signature ways of photographing. This can be my first piece minted as NFT, so I’m really happy with it.

‘Training Wear’ – A garment with my first nail sets stamped right into a dress, which was utilized in a performance. I feel my work goes beyond the nail sculpture itself but in addition tries to bring it to other mediums.

‘Treasure Knots’ made out of ceramics sculpted within the format of Chinese knots, with the postcard ‘Fingernails of a High-Class Chinamen’ behind on a TV screen.

Which fictional character do you most relate to and why?

Cyshimi: I get profoundly touched once I see Vanilla Sky; how David Aames (Tom Cruise) totally loses his sense of self when his face is disfigured, the best way it changes his life and relationships around him.

Who’s your beauty icon?

Cyshimi: Gong Li within the Curse of the Golden Flower, when she makes a reference to the empress Cixi along with her nail guards, her whole look is completely immaculate and it was the primary time I saw nail guards in motion.

When do you are feeling most beautiful?

Cyshimi: Each time I feel like losing myself from my current self after which stepping up and reworking. The glow-up moment.

Are you optimistic in regards to the future?

Cyshimi: As a Brazilian person from the worldwide south living in political chaos, beyond fascinated about long-term optimism I live someday at a time.

What’s the longer term of beauty?

Cyshimi: The long run is whatever we construct now. For me, beauty is trans, race inclusive, limitless and may also be within the metaverse. There are also a number of creators transforming their beauty art into NFTs and I think that is just going to extend.