This story is taken from the autumn 2023 issue of Dazed. Pre-order a duplicate here.

There are several defining moments at any given Spice show; the telltale signs are as inevitable as her ostentatious display of brightly colored wigs. One: If she decides to walk out in a pair of over-the-knee stiletto-heeled boots, trust that they’re merely there for show and will probably be kicked off faster than she will be able to command the DJ to “run di riddim!”. Two: The Olympic-ready assortment of acrobatic abilities she’ll display are challenged only by Team Spice, her women-only dance crew consisting of round-the-way girls with untameable energy. Their scene-stealing antics showcase a comprehensive mixture of tumbles, somersaults, speaker-box mounting, stage-truss climbing, splits, shakes, bumflicks and loose hips, which throw the gang right into a frenzy of ascending decibels. She’ll hand-pick girls from the audience to share the stage together with her and offer up seeing to by the Queen of Dancehall herself for one lucky man. Last but under no circumstances least are the stage props, including a live donkey, a shovel, a set of Wakanda guardians with not one but two Black Panthers for good measure, and a carry-on suitcase that she’ll wheel out to the tune of Stylo G’s “Touch Down” as if she’s tip-toeing towards the arrival gate. It’s a high-energy, unashamedly risque and comedic performance that leaves no questions as to how she bagged the title Queen of Stage before she was ever bestowed the title Queen of Dancehall.

“[My performance] is just so engaging and entertaining,” says Spice over the phone. “I at all times attempt to do things that folks have never seen before and I feel that sets me other than all the opposite artists coming out of Jamaica.” Spice is looking from Atlanta, where she’s been living since moving from Jamaica in 2020. Nonetheless, it’s Grace, the lady and mother of two behind Spice – a nickname inspired by her sometimes feisty and witty persona – who takes centre stage here. No hype, no antics and most surprisingly, no wig. “It’s nice to fulfill you,” she says, chuckling as she adds, “I wish I could put my video on but I just took my wig off.” Though I can’t see her, I imagine she is a vision in blue. It’s her trademark color, in any case, and one she vowed to wear each day for the whole thing of this yr as a thanks to fans who supported her after a damaged hernia caused her body to enter sepsis in late 2022. Born Grace Latoya Hamilton, the Grammy-nominated dancehall dynamo appears somewhat demure today for a girl whose signature dance move involves her hoisting one leg up within the air to a vertical split as her fans, or ‘besties’ as they’re affectionately known, scream “Skin out mi pum pum!” Hamilton wears her Dancehall Queen persona just like the well-plucked lace fronts she collects (seriously: she’s got a whole lot), donning and removing it as she deems fit. At this moment, she’s simply off-duty. “After I take the dancehall aspect away from the brand Spice and also you see me with my black hair, people comprehend it’s Grace Hamilton, not Spice. I benefit from the transition [between] being a mother and being Spice and my fans know that as well. If I’m on the street they know address me based on my dress code.”

There may be a humility to Hamilton that may be traced back to her humble beginnings. Born in St Catherine, Jamaica, in 1982, she says that her mother made probably the most of what little that they had. Her father was a Rasta, who filled the family home with the sounds of Peter Tosh and Bob Marley. Sundays were for church and Sunday school, and she or he recalls singing within the choir from the age of 4. To this present day, gospel is her favourite genre and “still what I wake as much as and sing within the morning; it’s still what puts me to bed; it’s still what brings that peace to my heart”. She would sleep top-and-tail together with her 4 siblings in a single bed, but despite the shortage of space she remembers that there was at all times “plenty of love” at home. When a fireplace burned down their house, they lost the whole lot and were left sofa-surfing between family and friends. Then, when Hamilton was just nine, her father died. “For those nine years, all I can remember is him pushing me into music,” Spice tells me. “I began making guarantees to myself that I used to be going to make it. I’m going to take my mum out of poverty. I’m going to purchase her a house and all of that.”

Hamilton has a motto she mentions as she opens up about her past: “From homelessness to greatness”, a reminder of exactly how far she has come. Once upon a time, she was only a schoolgirl who became popular by beating the desks and spinning lyrics out of her teachers’ lessons. In her last yr of college, a friend introduced her to Junior ‘Heavy D’ Fraser, the famed music manager and promoter of Sting, Jamaica’s longest-running reggae and dancehall stage show. “He said to me, ‘I hear that you simply mash up St Catherine High School, but are you able to mash up Sting?’” says Hamilton. As one among the country’s best-known dancehall shows, Sting can be feared for taking part in host to among the hardest crowds known to man, a far cry from any playground antics. This was in an era when glass Heineken bottles were hurled as nonchalantly as a chorus of boos if an act couldn’t satisfy its patrons (plastic bottles were eventually mandated for public and talent safety).

One in every of those early Sting performances is on YouTube, much to Hamilton’s amusement. She laughs each time she thinks in regards to the four-minute clip, through which the young performer’s precocious talent may be clearly heard through the grainy recording. Back then, she’d walked out with only a microphone and backing band, nervous as hell within the wee hours of the morning pondering, “‘Oh my God, that is either gonna make me or break me.’” In a skintight fur-trimmed collared shirt, a cloche hat cocked to 1 side and a bumped platinum-blonde wig, she received rapturous applause throughout the first minute. “I did my freestyle like I normally do and, to my surprise, that’s where Spice was born,” she recalls. “I buss the gang; the place was in a frenzy! Every time I got here off the stage, they might call me back on and I’d perform. I got called back 4 or five times.”

Though it took ten years to materialise on account of difficulties together with her former label, VP Records, her aptly titled debut, 10, was nominated for a Grammy in 2022. She became the primary hardcore female dancehall artist to be nominated in one of the best reggae album of the yr category. When she departed VP that very same yr, she released a follow-up, Emancipated, the title of which she braided right into a blue ponytail for her Latest York Fashion Week appearance last September, its tip trailing on the ground behind her as she walked. Within the accompanying Instagram posts she quipped: “Whenever you’re willing to sprain yuh neck to advertise your album.” Then there was Barack Obama’s inclusion of “Go Down Deh”, the lead single from the album, in his annual list of favourite songs. Spice’s response: “Just when I assumed my yr couldn’t end any higher Mr President @barackobama announced that he has been listening to my song.” All of this from schoolgirl lyrics and sneaking out of the home to clash [dancehall legend] Bounty Killer before she’d even graduated. “A number of people don’t know that I used to be clashing Bounty Killer in my very first performance and I at all times tell people he was the primary artist to supply me a microphone in dancehall. He was so surprised at my age and the way lyrically genius I used to be and he said, ‘You will be the following Queen of Dancehall.’” It’s a prophecy that stood the test of time.

“My music may be very empowering to plenty of women though people would have a look at it as being explicit. It forces any woman, irrespective of their size, their body, their race, wherever they’re from, to simply walk out and dance and be joyful and freely express themselves anywhere” – Spice

On “Go Down Deh”, Spice ponders, “Wine ’pon yuh good mek sweat ah drip off a mi body yeh / How yuh full ah chat and yuh cyan sustain wid mi energy?” Her songs are filled with her teasing sexual exploits like this, but additionally affirmations like on “Inches”, where she reminds us all that “My hair long to mi back / real or fake my money buy that”, or “Yaaas Goodie”, an anthem for the women who she describes as “well proper, yuh healthy, yuh strong, yuh look good, yuh have all ah di suttin deh bout yuh”. A private favourite is “Under Fire”, where she reasons, “Under me feel so aquatic caah you make me feel so erotic / Till me wish me coulda tek you cocky put inna me pocket.” She may also be reflective of the ills in dancehall culture, just like the pervasive trend for skin-bleaching. When she posted a selfie sans melanin to her 4 million-plus Instagram followers in 2018, it caused a furore. Per week later, she announced that it was a stunt aligned with a latest single release, “Black Hypocrisy”, on which she attests: “Mi love the best way mi look / Mi love mi pretty Black skin / Respect on account of mi strong melanin / Pleased with my color, love the skin that I’m in.” Her music breeds a selected type of energy: confidence, self-belief and pride. “My music may be very empowering to plenty of women though people would have a look at it as being explicit,” she explains. “It forces any woman, irrespective of their size, their body, their race, wherever they’re from, to simply walk out and dance and be joyful and freely express themselves anywhere.”

This comes with the character of being the Queen of Dancehall. It’s not only a title one throws around: it comes with a legacy, expectations and a selected set of necessities. Many men are intimidated by the brightly colored hair, the boldness, the assertiveness and skin-baring fashions, the express lyrics and sexual know-how, the autonomy of self that Spice embodies. This is meant. But those whose interest is piqued by the Queen’s embrace of ‘slackness’ – Jamaicans’ name for the lewd lyrics which have long been a staple of dancehall – are in for a wild ride. Women, however, are empowered. This, too, is meant. While the boys of dancehall are busy being boys, the ladies infantilise them, calling out just how easy a conquest they may be and exactly where they’re falling short (use your imagination). The ladies of dancehall insist on their independence, their beauty in and out, and their sexual desires. Spice’s lyrical content is commonly fixated around boastful claims, but behind every exaggeration is some extent of truth, be it about Spice as a person or the legion of ladies who will, want or can relate to it. They usually do, in truckloads. Just as Spice throws on her Dancehall Queen persona, her fans can throw on her music and, in those three or so minutes, gain a newfound confidence they’ll take with them into their days.

Take for instance Cardi B, whose dancehall-themed twenty ninth birthday in LA boasted brassieres as clubwear, batty riders and an onslaught of red, gold and green, with guests starting from Megan Thee Stallion to Lizzo in mesh marinas. Spice was a musical guest and also you don’t have to go looking far for clips of the bashment that ensued. “I remember Cardi B telling me she’d discovered my music after I had just began,” says Hamilton. “She said, ‘I used to see you in Ed Hardy on a regular basis and I used to at all times tell my father I desired to wear Ed Hardy like Spice!’” And Madonna, who was filmed dancing to “So Mi Like It” at her 62nd birthday bash in Jamaica, was spotted partying with Spice last yr alongside Diplo at a LaQuan Smith afterparty at Latest York Fashion Week.

It’s not only celebrity fans, either: Hamilton was moved to tears after one performance in Jerusalem where she began calmly, cautious of how they might react in such a foreign place, but to her surprise found the gang singing along word for word though many couldn’t speak or understand a word of English, let alone Patois. They were “dancing like they were Jamaicans, they were on their head top, they were dancing the other way up on their heads. They were jumping, doing the things I used to do on the speaker box, like… the whole lot, and I cried. I used to be just in shock; I couldn’t consider it.” After I mention the legion of queer fans who also participate and feel the identical confidence no matter gender or sexuality, she brings up her headline performance at Toronto Pride 2022: “My fans from the LGBTQ community can relate since it’s music that’s telling you we don’t care who you might be, just walk out and dance and be joyful and be pleased with yourself. I embrace them, I show them love because I don’t discriminate. Music is a universal language. I got somewhat backlash from some people in Jamaica due to it but I didn’t care. I used to be willing to go up against anyone in defence of my fans.”

When she was booked for the Bomboclat festival in 2019, a “music festival that brings Caribbean spirit and sounds to the beaches of Zeebrugge, Belgium”, she couldn’t quite consider the goings-on. Hundreds of individuals had come out, mimicking Jamaican culture with jerk pans in tow. They were hanging out prefer it was an everyday dancehall street party and so Hamilton took out her phone to video record “because I wanted to indicate it to my prime minister in Jamaica, to indicate him how other people outside of Jamaica embrace our culture”. Mockingly, ‘bomboclat’ is on a listing of words recently purged from the airwaves in Jamaica. Back in 2009, Hamilton felt the sting of such political attacks on her music when “Romping Shop”, her wildly raunchy remix of Ne-Yo’s “Miss Independent” with Vybz Kartel, was banned by the Broadcasting Commission of Jamaica (BCJ) on account of its explicit content. Where Ne-Yo croons in regards to the way a woman moves, Spice leaves little to the imagination in how she likes to be handled within the bedroom (“Cah me haffi wine pon di cocky like dis, Kartel spin me like a satellite dish”), while Vybz Kartel retorts in equally explicit detail. (“Take care of yuh breast like me crushing Irish, Spice I never love a pussy like this.”)

True to form, there was never a sample clearance as this was for the streets, not the Billboard Hot R&B/Hip-Hop charts the track would find yourself spending 15 weeks on, becoming a success in its own right. Within the Caribbean diaspora, there’s an in-joke that when a DJ plays the primary few seconds of the “Miss Independent” beat, you never quite know if it is going to be Ne-Yo or Vybz and Spice but ultimately, we’re all waiting for the latter, announced by Vybz Kartels’ immediately recognisable tag Addi Teacher. Hamilton laughs as I tell her this. “‘Romping Shop’ is the quickest song that has ever blown up for me within the history of my profession – it literally took 24 hours for it to turn into the most well-liked song I’d ever done,” she says. “There’s no show I can go to without singing that song. And I don’t even should sing it; the riddim comes on they usually sing it from top to bottom. It’s one among tracks that propelled [me] to international stardom. And that’s why even to this present day I give a lot loyalty to Vybz Kartel, though he’s incarcerated, because I feel like that song helped to propel me. And I’m joyful to know that I even have one among the largest collaborations to ever come out of dancehall.”

This story is taken from the autumn issue of Dazed, which is on sale internationally from 14 September 2023. Pre-order a duplicate here.

Photography CIESAY, styling MARION B KELLY II, hair color and styling EMPRESSLYGLAM, make-up SKYE using JUVIA’S PLACE, photographic assistants BAILEY NOLFE, NICK NOLFE, videography ARTIMIO BLACKBURN, styling assistant JOHN ALLEN, production WEST OF IVY, production assistant BEN FENISON