Alongside the discharge of Oscar-nominated doc All The Beauty and the Bloodshed, the artist can be the main focus of two major exhibitions, a latest publication, and a prestigious award
Since picking up a camera on the age of 15, within the early Nineteen Seventies, Nan Goldin has grappled with the query of if, and, how photography can save a life. She’d run away from her home in suburban Boston following the death of her sister by suicide, and the medium provided her with a lifeline, a voice, “an entrée into human contact”.
Finding family among the many drag queens and transgender community who graced Boston’s gay bar, The Other Side, within the mid-to-late...
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