Now I do editorials mostly. Basically, I actually have a really analytical approach to makeup. Between what I need and what is correct, the latter matters more. A variety of my work relies on sense and instinct since it's artistic. At a shoot for Bottega Veneta, the concept was to have pearlescent lips and body painting; all the pieces needed to shine. I dipped the model in golden pigment and finalized the lips with an additional layer of thick gloss. One other time, I cut off the wings of [taxidermic] butterflies and applied them symmetrically on the model's face. The wings created fast shadows that stood out far more than the makeup. And I recently did a shoot within the...
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