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27 Sep

Exploring the intense paths some men go right down

Exploring the intense paths some men go right down
Perhaps it’s because Burger King wasn’t a thing back then, but in Michelangelo’s historical depictions of man, everybody looked as if it would have a very fire bod. In his sculptures and illustrations, a bloke’s pectoral muscles, topped with tweakable nipples, protrude out over a wash-rack torso; their knife-sharp V-lines pointing down towards to their bits. It’s a picture that has, for therefore long, dominated Western culture’s perception of archetypal masculinity and male beauty: the final word, almost unattainable look. And yet some 500 years on, we’re still obsessing over it. Now though, it manifests less within the art world – where frailer frames usually tend to be fetishised – and more on our TV screens every summer, as we tune in...
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13 Nov

The Sphere and Michael Heizer’s “City,” Reviewed: Two Paths

The Sphere and Michael Heizer’s “City,” Reviewed: Two Paths
This last rule is a great move on the muse’s part—it says, Accept no substitutes. “City” wouldn’t photograph particularly well anyway. It’s vast and sometimes overwhelming, and there’s no convenient place to face and drink all of it in; the one approach to see every part is to maintain moving or to search out a helicopter. The majority of the sculpture consists of deep, gently sloping trenches and tall, wide mounds of gravel, marked off with concrete curbs. From the trenches, the purple mountains appear like they’re yards away as a substitute of miles. “City” pulls quite just a few of those perceptual tricks, scrambling near and much and old and recent. That is, concurrently, the quietest place I’ve ever...
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