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17 Aug

How this artist is difficult conservatism in Brazilian political

How this artist is difficult conservatism in Brazilian political
Brazilian artist and performer Aun Helden desires to tear down the constructs and constrictions around our bodies and begin again. Their work moves towards an understanding of gender and sex that’s free from cis-heteronormative patriarchal definitions. Un-gendering and un-sexing themself of their online artwork, they're rebuilding themself fluidly with seeming full creative autonomy over their appearance. Inspired partly by their mother, and in lieu of a father figure, they've repoistioned themselves as a maternal figure presiding over their very own body. Fertile imagery abounds of their work; glossy black eggs, vulvic prosthetics, phallic facial appendages à la H.R. Geiger, and large, galactic, empty black eyes. With the rise of the far-right and the election of president Bolsonaro in Brazil, the climate in Brazil for...
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6 Aug

Emma Dabiri: ‘Beauty culture is a mirrored image of

Emma Dabiri: ‘Beauty culture is a mirrored image of
How do our surroundings determine our relationship with our body image? Growing up Irish and Nigerian, creator and broadcaster Emma Dabiri’s concept of beauty has long been defined by Eurocentric standards and what was deemed most desirable on the time (big boobs and a thigh gap). But on a journey of self-reclamation, she has learnt that beauty isn’t a physical entity, but a way of being. In her latest book, Disobedient Bodies, the creator of Don’t Touch My Hair and What White People Can Do Next unpacks age-old notions of beauty and divulges how the expectations and demands around it are completely contradictory. Disobedient Bodies grapples with the complicated and messy history of beauty, and the way our always evolving (yet...
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31 Mar

The zine exploring what it means to be a

The zine exploring what it means to be a
“How will we transform ourselves, lose ourselves, or how are we kept back, limited, or marginalised: each due to and despite our bodies?” That is the central query posed in the newest issue of arts and culture magazine Orlando. Previously exploring themes of memory and history, and notions of discourse, for its latest issue, Orlando has turned its attention to the body. “Throughout art or literary history, using the body as a primal, raw material, has been central to questioning facets of identity in contemporary culture, particularly the intersection of gender, sexuality, race, dis/ability, and illness,” says editor Philomena. Inspired by the tense and turbulent political climate, Philomena desired to create something that “considers what it physically seems like to be a...
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28 Feb

How this artist is difficult conservatism in Brazilian political

How this artist is difficult conservatism in Brazilian political
Aun Helden incorporates phallic and maternal imagery into their work to oppose the rigid binary standards of a cis-heteronormative patriarchal society Brazilian artist and performer Aun Helden desires to tear down the constructs and constrictions around our bodies and begin again. Their work moves towards an understanding of gender and sex that’s free from cis-heteronormative patriarchal definitions. Un-gendering and un-sexing themself of their online artwork, they're rebuilding themself fluidly with seeming full creative autonomy over their appearance. Inspired partly by their mother, and in lieu of a father figure, they've repoistioned themselves as a maternal figure presiding over their very own body. Fertile imagery abounds of their work; glossy black eggs, vulvic prosthetics, phallic facial appendages...
Continue reading