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10 May

Madelyn Cline Puts The 'Pro' in Prosecco | Met

Madelyn Cline Puts The 'Pro' in Prosecco | Met
Madelyn Cline speaks with Emma Chamberlain at The Met Gala 2024 red carpet. #MetGala #EmmaChamberlain #MadelynCline Subscribe to British Vogue►► https://www.youtube.com/britishvogue?sub_confirmation=1 CONNECT WITH BRITISH VOGUE Web: https://www.vogue.co.uk Twitter: https://twitter.com/britishvogue Facebook: https://www.facebook.com/britishvogue Instagram: https://www.instagram.com/britishvogue Pinterest: https://www.pinterest.co.uk/britishvogue Newsletter: https://www.vogue.co.uk/newsletters Subscribe: https://www.vogue.co.uk/subscribe ABOUT BRITISH VOGUE British Vogue is the world’s leading premium lifestyle and fashion entertainment channel. Weekly releases and brand latest original programming including short movies, series and in-depth documentaries, British Vogue’s channel is the final word destination for unprecedented access into the world of fashion, beauty and culture. ...
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23 Jan

Razor brand Billie puts pubic hair front and centre

Razor brand Billie puts pubic hair front and centre
Body hair is natural. As natural on women because it is on men. And yet, someway, even the slightest of traces of body hair on a lady can still appear to cause outrage. In April, for instance, a Nike campaign featuring Annahstasia Enuke was deemed “disgusting” by many on social media for its display of armpit hair. And last week, Rolling Stone’s cover of Halsey, which saw the singer together with her arms raised revealing a touch of stubble in her armpits, garnered as much criticism because it did praise.   Attempting to challenge this narrative and normalise body hair is (perhaps paradoxically) female-first razor brand Billie. Despite being a razor brand, Billie believes that shaving is a private selection and never...
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9 Jul

Aesop Puts an 18th Century Painting in Recent Store

Aesop Puts an 18th Century Painting in Recent Store
MILAN — Going for hand soap or fragrance shopping may be quite an experience either when in Rome or on the subject of Australian luxury personal care company Aesop. When the 2 are combined, an 18th century painting can easily find its way in the client journey. Cue Felice Torelli’s artwork “Teseo abbandona Arianna,” or “Theseus Abandoning Ariadne” in English, which welcomes shoppers at Aesop’s latest store within the Everlasting City. Occupying a two-storied corner residence on bustling Via del Corso, the unit is the corporate’s second door in the town and an ode to ancient Roman architectural principles and geometric orders. Designed with Aesop’s longstanding collaborator Jakob Sprenger, the situation respects the brand’s philosophy of offering retail spaces which can be distinct from each...
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