radical – Page 2 – Beautifaire

13 Jul

‘My fluidity, my dignity’: The novel kingdom of Christine

Ahead of Meltdown Festival, which is that this yr curated by Christine and the Queens, the avant-pop star speaks to Daisy Jones about his recent album, the journey he’s been on over the past few years, and the concept of fluidity It’s 10am and Chris – or Christine and the Queens, AKA Héloïse Letissie – has his eyes closed through the laptop screen from his hotel room in Cannes. On each eyelid is the letter ‘M’, the ink fresh, prefer it’s just been stamped on. Then his eyelids flutter open, the Ms disappearing from view. “I got these tattoos this week,” he says, explaining how the letters stand for the names of his...

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30 Dec

The unconventional history of the queer fat liberation movement

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Beauty, Featured

The unconventional history of the queer fat liberation movement

For those who think fat liberation began in 2011 with Tumblr feminism and fat fashion blogs, you’re unsuitable “Don’t assume… I don’t like my body,” begins a manifesto shared at a 1989 Fat Women’s conference in London. Often known as the “Fat Dykes Statement”, it contained a listing of 29 assumptions, from serious points (“Don’t assume… I feel your body is healthier than mine”) alongside more playful ones, which emphasise the ludicrousy of assuming anything a few person based on their body shape (“Don’t assume… I need a Weight loss plan Coke”). For those who think fat liberation began in 2011 with Tumblr feminism and fat fashion blogs, you’ve never had the pleasure of...

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22 Sep

Five radical works by pioneering artist Carolee Schneemann

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Beauty, Featured

Five radical works by pioneering artist Carolee Schneemann

To have fun the Barbican’s upcoming exhibition and film screenings, we take a have a look at among the artist’s most shocking and haunting work Pioneering multidisciplinary artist and feministic icon Carolee Schneemann continues to encourage generations of artists. Known for her potent artworks exploring female sexuality and subjectivity, human suffering, objectification and rather more, Schneemann began within the Nineteen Fifties primarily as a painter before turning to performance art and photography as a rejection of what she perceived as this poisonous macho heroism of up to date painting. Born in 1939, she got here of age at the peak of abstract expressionism – a movement described by art critic Marcia Brennan because the...

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