Alex BaraschCulture editorSince Stephen Sondheim’s death, in 2021, the legendary composer has remained a gradual presence on Broadway: a gender-flipped “Company” was succeeded by a spare but magnificent “Into the Woods,” a baroque “Sweeney Todd,” and, most recently, a transfer of “Merrily We Roll Along,” starring Jonathan Groff, Daniel Radcliffe, and Lindsay Mendez. This latest—a revival of Sondheim’s notoriously troubled work from 1981—is a triumph of chemistry and empathy. The show follows a trio of friends in reverse, from lonely middle-aged successes back to the tight-knit strivers they were of their twenties. Franklin Shepard (Groff) has the farthest to fall: he’s the one who abandoned his friends to make his fortune in Hollywood. But Maria Friedman’s production takes seriously the...
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