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20 Aug

How one artist used photography to come back to

How one artist used photography to come back to
Mari Katayama’s self-portraits often depict her within the centre of painstakingly arranged objects, either in intimate bedroom spaces or in vast and awe-inspiring landscapes. The objects vary in every bit; nonetheless, specific motifs constantly pop up, particularly, crabs, paying homage amongst other things to her star sign (cancer). You may even see handmade pillow-like objects in the form of limbs and mannequins. But no matter where she is, or what she surrounds herself with, the principal subject of her work is her, most notably her body.  Well, that’s how you might be made to feel anyway, but Mari explains her work is all about experiences. “It just isn't in regards to the body itself, but more in regards to the gap...
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3 Jun

How one artist used photography to come back to

How one artist used photography to come back to
“One thing I do know needless to say is that beauty just isn't something good-looking or clean,” says Japanese artist Mari Katayama Mari Katayama’s self-portraits often depict her within the centre of painstakingly arranged objects, either in intimate bedroom spaces or in vast and awe-inspiring landscapes. The objects vary in each bit; nonetheless, specific motifs constantly pop up, specifically, crabs, paying homage amongst other things to her star sign (cancer). You can even see handmade pillow-like objects in the form of limbs and mannequins. But no matter where she is, or what she surrounds herself with, the foremost subject of her work is her, most notably her body.  Well, that’s how you might be...
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26 Mar

How I’m coming to terms with my hooked nose

How I’m coming to terms with my hooked nose
Reasonably than losing the legacy of her nose to a cosmetic nose, Nancy Uddin practices self-love and understanding A two-minute mirror rule was effectively enforced for many of my childhood — as often as possible, I allotted myself a gracious two minutes for mirror usage to minimise seeing myself. Mirrors jogged my memory that frizz control was beyond me, my dark complexion scolded me to remain out of the sun, and my hooked brown nose dominated my entire face. By ignoring brown racialised noses, the mainstream beauty industry reduces South Asians as simply “other,” revoking the complexity to a cultured identity. Lots of us develop self-hatred for our roots resulting from the socialised disgust...
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