Featured Posts

To top
25 Sep

Tinashe is finished making compromises

Tinashe is finished making compromises

Because the singer gears up for the discharge of her latest album BB/ANG3L, we chat to her about escaping the main label system, how she reached peak creativity, and the Sex and the City-inspired video for brand new single ‘Needs’

Within the video for her latest single “Needs”, Tinashe is rampaging through an empty food market, her and 6 friends tearing through the aisles and twerking on abandoned money registers. “We wanted it to have that playful, reckless energy,” the singer says, just like the group had, “broken into this food market and were having some sort of after-hours party in it.” The song, a playful slice of pop-R&B, casts Tinashe’s body as “a buffet” and has cheeky references to peaches and bananas, so the supermarket setting feels very apt. At one point within the video, Tinashe lays naked contained in the deli counter fridge, cold cuts of turkey and diverse meats arranged strategically across her body. It’s tongue-in-cheek and self-aware, the output of an artist who isn’t afraid to have some fun.

Although the video may seem to be a straightforward concept, it also marks a shift in how the singer desires to be viewed as she enters the era of recent album BB/ANG3L. The singer desired to shoot in a “mundane space” in “real life” somewhat than a studio, to reflect the non-public approach of the brand new album. “I need people to get to know me on more of an intimate level,” the singer says. “I need it to feel like this album is whispering in your ear.”

This intimacy can be signalled by an aesthetic shift, with the visuals and photography for BB/ANG3L more stripped back in tone and energy. To have the option to exercise this control over her vision is something that Tinashe is incredibly pleased with – nevertheless it’s not all the time been the case. “Making all the creative decisions myself was absolutely different than what I needed to do before,” Tinashe says of her major label take care of RCA (she was released at her own request in 2019). Despite the label not knowing what to do along with her, Tinashe still produced excellent albums – her creative vision was never mired by the main label system, only held back. Now, it’s no surprise that her two albums since leaving RCA – 2019’s Songs For You and 2021’s 333 – have been her best work yet. Evidently, with this latest music, she’s approaching a three-for-three knockout.

Hi Tinashe! How are you feeling about putting “Needs” into the world?

Tinashe: I’m super pumped up about this release. I believe “Needs” is a really fun song. It definitely stands out from the remaining of the record to me, sonically. “Talk To Me Nice” was a bit of bit more serious in tone and vibe, so it’s fun to have the option to point out my range of personality, to have the option to bop and all that good things.

So what inspired the song?

Tinashe: I just wanted to write down something really flirty and sexy and cute.

Like that meme of Saweetie? Something fun, for the women to prepare and party to?

Tinashe: Yes! Exactly that. It was form of a freestyle. I just pressed record and played a beat, and whatever got here out of me was what I went with. That ‘all of us got needs’ tagline at the tip was my initial freestyle. Sometimes I actually think that your first instinct is your best instinct, and it’s best to go along with your gut. You need to follow that initial spark of inspiration on the subject of making art. That’s really what this song was.

There’s a line within the song, “Had a bonanza/Peaches, bananas” – is that why you made the decision to shoot the video in a food market?

Tinashe: So there’s also a line about my body being a buffet. That immediately made me consider being in a deli buffet as a display, and jogged my memory of Sex and the City when Samantha puts all of the sushi on her body. That was the reference that I wanted.

I used to be considering of locations where we could shoot and I wanted it to be some sort of mundane space – I didn’t want it to be a studio or anything like that. I wanted it to feel like real life, because numerous this era is actually about attending to know me and feeling like there’s intimacy there. So I wanted it to feel like an intimate location, someplace that everybody knows and that we visit on a regular basis as an element of our day-to-day.

“I smelled like turkey the entire ride home… it was value it” – Tinashe

What was it like having all those like cold cuts of meat throughout you?

Tinashe: It was gross! I smelled like turkey the entire ride home. It was nasty. We did that shot last, luckily. It’s form of greasy, so it leaves a movie on you. It was gross, nevertheless it was fun. It was value it.

You mentioned the lead single from BB/ANG3L, “Talk To Me Nice”, which may be very much a unique vibe from “Needs”. There’s a shot within the video where you peel off your personal skin.

Tinashe: So “Talk To Me Nice” was the initial visual that I desired to present, like an introduction to the era. I desired to physically show that I used to be moving into this latest persona that I’m embodying for the BB/ANG3L album. Physically peeling off the old me represents rebirth and finding something latest. I’m peeling back the old layers, eliminating all the production, the distractions, really attending to the raw essence of who I’m and what I’m about. I just desired to represent that visually.

It form of jogged my memory of Patrick Bateman in American Psycho.

Tinashe: Absolutely. That was on the moodboard too, needless to say.

What are you trying to speak with this latest, stripped back aesthetic?

Tinashe: With this era, I need people to get to know me on more of an intimate level, very up close and private. I need it to feel like this album is whispering in your ear. My last era we leaned into so much more concepts, numerous dark makeup, numerous outfits, which was amazing and delightful. But with the ability to have this stripped back side of me, to play into different color tones, different vibes, just feels very cinematic and really personal.

Does that make you’re feeling more vulnerable?

Tinashe: Definitely in certain elements. With regards to actually sharing my real life, I do this so much through music and thru the art in these metaphorical ways. But in my day-to-day, I very much separate who I’m as an artist and who I’m as a human being. I don’t operate in the identical frame-of-mind once I’m quote-unquote on, versus once I’m just chilling. So it’s interesting to bring that off-camera persona and take a look at to document it in a way that also feels relevant, but in addition secure, and is sensible.

There’s also a line in “TTMN” that claims “couldn’t be fake if I attempted”. What’s that in reference to?

Tinashe: Sometimes I’ve felt in my life – whether that be in my personal life, or in my skilled life – who I’m at my core is ultimately what I actually have to go along with so as to make my best work. I actually have to actually tune in to that and never allow other voices to get in the way in which. That’s something that I’ve really cultivated as I’ve gotten older and grown up more, and had more experience within the industry. I’ve been more decisive about what sort of music I have the desire to make, what sort of art I have the desire to make, and exactly what I need things to appear like. I’m very protective of that.

“[Going independent] opened an entire latest world for me by way of with the ability to have that creative freedom… I needed to make numerous compromises before” – Tinashe

Do you’re feeling like that honesty and decisiveness got here after your take care of RCA ended?

Tinashe: Absolutely, yeah. It opened an entire latest world for me by way of with the ability to have that creative freedom and really get to the core of what I need. Making all the creative decisions myself was absolutely different than what I needed to do before. I needed to make numerous compromises before. [Going independent] empowered me, each as an individual and as an artist, to face by my decisions and trust my instincts.

You’ve now signed a latest take care of Nice Life Recording Company. How’s that going?

Tinashe: I believe it was the right compromise. I didn’t need to return into the main label system, per se. I had numerous reservations and numerous trepidation about working in those spaces, because I just know what they’re like. I’ve been there and I don’t need to lose what I’ve gained. In meeting Nice Life, they really just accepted who I used to be as an artist. I’m excited to have the option to have an even bigger team and more people to assist make my art to its fullest potential.

Do you’re feeling like the main label system didn’t know what to do with you?

Tinashe: I used to be an artist that fell into some sort of grey area between genres, and that made it very confusing by way of tips on how to market me and where to advertise my music. That played into it so much. We had so much to learn, and I believe I had so much to learn, and now I just have so rather more experience. There’s no substitute for that, so I believe I’m in a way higher position now than once I was first signed at 17-years-old.

Your music exists on this alternative sonic world, but you furthermore mght have primary pop girl energy, and RCA obviously didn’t know what to do with those two together.

Tinashe: There’s numerous juxtaposition in my personality, numerous ways in which I embody two various things directly. There’s range in what I do, and it’s just been a process over the course of my profession of individuals attending to know me and getting to know that duality.

So the brand new album is named BB/ANG3L. Why that name?

Tinashe: I used to be really inspired by screen names and avatars, and the way we’re capable of create our own personas online. We’re capable of name ourselves in that way and take control of our identity. I desired to create something just like a screen name, or some sort of tag that I could placed on this era that will represent the persona or the energy that I used to be embodying for this particular project.

You’re occurring tour with Shygirl this autumn. How did that creative collaboration come about?

Tinashe: We played a show together. She opened for me in Latest York last 12 months at LadyLand Festival. It was so sick. I saw a part of her set, she saw a part of my set, we said hello and have become friends. Even prior to that, I had been a fan of her music and posted it on TikTok and he or she reposted it. So we’ve been fans of one another’s music. Then we met on the show, collaborated on her album on the “Heaven” remix, and form of kept going from there.

And the album’s out before the tour?

Tinashe: Yes! Coming very soon… sometime in September…

“Needs” is out today on Nice Life Recording Company. BB/ANG3L is out in September.

Join Dazed Club and be a part of our world! You get exclusive access to events, parties, festivals and our editors, in addition to a free subscription to Dazed for a 12 months. Join for £5/month today.

Recommended Products

Beauty Tips
No Comments

Sorry, the comment form is closed at this time.